In January, I entered the Arts Council of Southwestern Indiana’s Miniatures show. Each piece could be no larger than 2″ in any direction.
My piece is called “In Error”. It is a 2″ square of pencils cut to different lengths but none over 2″. They are arranged with the erasers pointed out.
I used old pencils whose erasers are in varying stages of petrification. Some were from vintage pencils, and some were from cheap, new pencils. All of this makes them even more varied and interesting.
My second piece for the Art Noir show at the Arts Council of Southwestern Indiana was inspired by my cat Shamoo who died in December 2017. It is titled “Shamoo Was a Good Cat”.
For the piece, I wove some of his whiskers together to make an interesting shape. I had collected these whiskers as they fell out naturally and he left them around the house. My piece partly references the Victorian practice of braiding locks of a loved one’s hair after they died and then turning them into jewelry to use to remember that person.
The whiskers are suspended by a thread and hang in front of a whirling frame of black odds and ends. The collection includes vintage buttons, strings of beads, fake flowers, and cicada shells that I painted black.
The entire piece is enclosed behind glass in a shadowbox.
The piece is all in black and white, taking inspiration from the theme of the show. To me, it seemed fitting for a mourning piece. It is also perfect that Shamoo was a black and white cat.
One of the best compliments I have received about my art is that my style is “quirky conceptualism”. This is a good example of that.
This piece won third place in the 2D category. At first I was surprised that it was included with the 2D art, but now I think it’s pretty neat.
I was excited to have two pieces accepted into the Art Noir show at the Arts Council of Southwestern Indiana. I thought it was great that they represented the range of my art lately: a found object sculpture and a photograph.
Below is a photo of the show and my photograph titled “Thaw”.
Materials: A stuffed cat, my real cat, bra under wire, pop can, toy and game pieces, old jewelry, fur coat, pop can, glitter, paint, thread
Dimensions: 10″ x 7″ x 5″
On exhibit now through May 6 at the Arts Council of Southwestern Indiana as part of the “Another’s Treasure” art from recycled materials exhibit. Opening reception on April 22 from 5:30-7.
I just finished a week sharing my art and my process with the children at Patchwork Central, where most of the time the children see me as the Co-Director and camera lady.
It was fun to share my sculpture with them, and it was very fun to see the art that they created. It was also great to work again with my friend and fellow artist Jane Case Vickers. I started my career in community art almost 18 years ago by teaching art as Jane’s assistant in Patchwork’s Arts & Smarts Children’s Program.
I was very glad to get to teach with Jane again–I think she’s a great artist and a great teacher. We’ve always been attracted to similar materials and have similar artistic inspirations. We’ve done several projects and exhibits together.
One of these collaborative projects was called “Earthen Vessels”. We each created a series of female figures that explored the human form as a container for emotions and experiences. Each figure expressed an individual emotion or memory using found fabrics and found objects that we felt were symbolic of the theme.
The images above show my work paired with Jane’s. The first shows Jane’s depiction of Guilt (titled “Guilt: She’s Got a Belly Full of Walnuts”) and my depiction of Love. The second shows my depiction of Loss and Jane’s depiction of Healing. They range from 64″ tall to 40″ tall.
When we took these photos, we intentionally paired a more positive emotion with a more negative one to highlight the interaction between the two.
I’ve reworked this piece. I shared a photo of it last year when I’d prepared it for a show and then realized that there was a problem.
In the end it was a good thing. Having time to rework it meant that I added quite a few more layers of glitter, thread, and paint. It’s better for them.
I still envision it as a kind of mystical creature surrounding the little boy and girl and suspending them in the air–a mystical creature made of discarded materials, comical googly eyes, and a mass of glue.
It continues to be an exploration of the things that we collect, the way that we relate to them, and the way that we project ourselves onto them.
I kept the original title of the piece. Someone remarked that the glittery circle is reminiscent of Ezekiel’s vision of a wheel covered in eyes, which I liked. The inspiration for the piece hadn’t been the Bible verse, but I decided to make a reference to the folk song “Ezekiel Saw the Wheel” by titling the piece “Way Up in the Middle of the Air”.
The piece measures 9″ square and is about 3″ deep.